WRITE IT! with Nickole Brown and Jessica Jacobs is planned with the Palm Beach County School District Educational Technology Team. The poets will read and share prompts to inspire students from their co-authored book of prompts. The event will be available throughout the Palm Beach County School System: https://www.youtube.com/c/EdTechTrainingTeam/.
Nickole Brown is the author of Sister: A Novel-in-Poems (Red Hen Press, Sibling Rivalry Press) and Fanny Say: A Biography-in-Poems (BOA Editions). Currently, she lives in Asheville, North Carolina, where she periodically volunteers at several animal sanctuaries. Since 2016, she’s been writing about these animals, and To Those Who Were Our First Gods, a chapbook of these first poems, won the 2018 Rattle Prize. Her essay-in-poems, The Donkey Elegies, was published by Sibling Rivalry Press in 2020. In 2021, Spruce Books of Penguin Random House published Write It! 100 Poetry Prompts to Inspire, a book co-authored with her wife Jessica Jacobs, and they regularly teach together as part of their SunJune Literary Collaborative. Every summer, she teaches at the low-residency MFA at the Sewanee School of Letters. www.nickolebrown.com
Jessica Jacobs is the author of Take Me with You, Wherever You’re Going (Four Way Books), winner of the Devil’s Kitchen and Goldie Awards, and Pelvis with Distance (White Pine Press), winner of the New Mexico Book Award and a finalist for the Lambda Literary Award. She serves as Chapbook Editor for Beloit Poetry Journal and lives in Asheville, NC, with her wife, the poet Nickole Brown, with whom she co-authored Write It! 100 Poetry Prompts to Inspire (Spruce Books/ PenguinRandomHouse). Her collection of poems in conversation with the Book of Genesis will be out from Four Way Books in 2024. www.jessicalgjacobs.com
Our in-house bookseller, Delray Beach’s independent bookstore, Murder on the Beach, is managing our virtual bookstore offering books by by our featured poets this year.
The Bookstore will be open following reading events for book purchase and brief visits by the featured poets in breakout rooms.
Participants will learn the basics of the Japanese literary form of senryu, the lighthearted cousin of haiku. Consisting of three lines of approximately 17 syllables, the senryu focuses on humans and human emotions, the good and the bad, from a humorous perspective. Following the workshop, in which participants will learn about the history of the senryu and haiku, they will examine and discuss various examples before touring the Morikami’s beautiful gardens to generate their own senryu.
Yaddyra Peralta, MFA, is the former Assistant Director of the Palm Beach Poetry Festival. Her works have appeared in Sliver of Stone, Ploughshares, Jai-alai, Abe’s Penny, Tigertail, The New Poet, and Hinchas de Poesia. In 2013, she was a Visiting Writer at the Betsy Hotel’s Writer’s Room in Miami Beach, Florida, and one of six Helen M. Salzberg Artists-in-Residence at Florida Atlantic University’s Jaffe Center for the Book Arts where she collaborated on the book Conversation, Too.
Our in-house bookseller, Delray Beach’s independent bookstore, Murder on the Beach is managing our virtual bookstore and book signings by our featured poets this year.
The Bookstore will be open following reading events for book purchase and signing by the featured poets in breakout rooms.
A book list is provided as well as a secure means to make your purchase. Join us at the Bookstore!
MURDER ON THE BEACH VIRTUAL hours:
Eastern Time (US and Canada)
Jan 21, 2021 09:30 PM
Jan 22, 2021 04:00 PM
Jan 22, 2021 09:30 PM
Jan 23, 2021 04:00 PM
The 17th Annual Virtual Palm Beach Poetry Festival invites all Palm Beach County High School Students to send in one original poem.
The winner will receive $200 and a pair of tickets to the virtual Friday night reading event featuring Poet At Large Brian Turner
The four runners up will each receive $100 and a pair of tickets to the virtual Friday night reading event
All winners receive a one-year subscription to Poets and Writers Literary Journal
All of the prize-winning poems will be posted on the festival website: palmbeachpoetryfestival.org and will be included in press releases
Prize winners will be invited to participate in exclusive photo-ops with the featured poets, for local press releases
ELIGIBILITY: Palm Beach County public and private High School students, Grades 7-12 RULES:
Poems may be submitted October 15th through December 1, 2020, as follows:
Submit one poem, 30 lines maximum, single-spaced, 12-point type.
Your name, address, phone number, email address, name of high school, teacher’s name, and grade level will be entered as you complete the Submittable entry. All entries will be read blind using Submittable.
By submitting a poem to the contest, the student agrees to be named in press releases and media stories about the contest and the festival.
Your submission is an agreement that if selected as a winner, you will submit a video reading of the winning poem, and a headshot for online publication and promotional purposes.
Any Submission containing profanity will be declined.
Submissions that do not adhere to these rules will be refused. Keep a copy of your poem, as the original will not be returned. Winners and runners up will be notified by January 1st, 2021.
Submissions that do not adhere to these rules will be refused. Keep a copy of your poem, as the original will not be returned. Winners and runners up will be notified by January 1st, 2021.
DISTINGUISHED JUDGE:
Dr. Jeff Morgan, English Professor, College of Arts and Sciences, Lynn University, Boca Raton, Florida
In this workshop facilitated by Anthony Francis, participants will practice introductory group improvisational acting exercises and play fun games with props to increase creativity, inform their writing about persona and characters, boost self-confidence for public speaking, and improve their performance, No previous acting experience is required.
+ Facilitator Anthony Francis is CEO & Director of Improv U, Inc. and the annual Palm Beach Improv Festival.
Celebrate St. Patty’s Day with this fun Irish poetry workshop facilitated by Michael Macklin O’Mara. During the workshop, participants will read some of the best loved Irish poems, learn about the history of limericks, and pen a few of their own. Blarney, sharing your work, and wearing of the green is optional. St. Pat’s Pub will offer a special holiday lunch menu.
Michael Mackin O’Mara has lived and worked in West Palm Beach since the 1980s. Before that he studied under Hans and Ilse Juergensen at the University of South Florida. He is the managing editor of the South Florida Poetry Journal.
This workshop is planned as a celebration of the work of two living legends of the Beat Generation, Lawrence Ferlinghetti and Diane di Prima. Participants will be reading works by both poets and writing their own poems inspired by their works. There will be take-home packets of Beat Poetry and a bibliography for further reading. The session will include opportunities to share poems-in-progress.
Meryl Stratford won the 2013 Yellow Jacket Press Contest for Florida Poets for her chapbook, The Magician’s Daughter. Her poems have appeared in numerous journals including Amsterdam Quarterly, Rattle, and The Society of Classical Poets, and have been anthologized in MALALA: Poems for Malala Yousafzai, Glass Bottom Sky, and Slay Your Darlings, among others. She studied with Ferlinghetti and di Prima at the Atlantic Center for the Arts, and is an associate editor for South Florida Poetry Journal.
In his poem Where Shame Comes From, Steve Healey writes, “The candles are forgetting how / to light the holes in our bodies. / Still, they dine on thunder and hearts, / for soon they will do a quiet crime.” How can we turn the quiet crimes of our bodies into art? People often do not see shame as a motivator for poetry, or even for language. Usually, moments of embarrassment or shame are swept under the rug; people prefer to forget shame rather than immortalize it in words. In this workshop, participants will study successful poems about shame, and how to produce their own work influenced by shame.
Lily Starr is student of poetry from North East, MD, who moved to Miami to pursue her MFA in Creative Writing from Florida International University. Her work has appeared or is forthcoming in The Journal, Gulf Stream, Muzzle Magazine, Electric Literature, Small Orange, and elsewhere.
In this prompt-based, fast-paced writing workshop with Jan Becker, participants will learn about the poetic transformation of seemingly ordinary events and objects into profound observations that alter a reader’s perception of the world and create a deeper appreciation for seemingly mundane aspects of daily life. Participants will examine poems from William Carlos Williams, Elizabeth Bishop, Pablo Neruda, and Richard Blanco, discuss the idea of “poetic vision” and “poetic voice” and create poems that elevate the ordinary to the extraordinary and remain in the minds of readers long after the poem has ended.
Jan Becker earned her MFA degree at Florida International University, and has taught courses there in composition, technical writing, creative writing, poetry and literature. Her work has appeared in Jai-Alai Magazine, Colorado Review, Emerge, Brevity Poetry Review, Sliver of Stone, and Doubleback Review. She was the recipient of a 2015 AWP Intro Journals Award in Creative Nonfiction. Her first book, The Sunshine Chronicles was published in 2016.
The Wife After nearly 40 years of marriage, Joan and Joe Castleman (Glenn Close and Jonathan Pryce) are complements. Where Joe is casual, Joan is elegant. Where Joe is vain, Joan is self-effacing. And where Joe enjoys his very public role as Great American Novelist, Joan pours her considerable intellect, grace, charm, and diplomacy into the private role of Great Man’s Wife. Joe is about to be awarded the Nobel Prize for his acclaimed and prolific body of work. Joe’s literary star has blazed since he and Joan first met in the late 1950s. The Wife interweaves the story of the couple’s youthful passion and ambition with a lifetime of shared compromises, secrets, betrayals, and mutual love.
Bonnie Bonincontri is an Assistant Professor at Lynn University and editor of Quest, the university’s arts journal.
Honoring the works of Marie Howe, this workshop will examine poetic techniques that magnify the simple (moments, objects, thoughts) to create a sense of universality in confessional poetry.
Camila Saavedra is an MFA candidate at Florida International University. She enjoys all genres but is partial to poetry and creative nonfiction. She writes about trauma in its many forms. Her poem, The first time I realized I might not be alive, appears in This Thing We Call Poetry: An Anthology of Poems by Young Adults with Cancer.
The Palm Beach Poetry Festival invites you to submit an original poem inspired by the Art Couture Exhibition at Old School Square’s Cornell Art Museum.
Five cash prizes and five honorable mentions will be selected by contest judge, Stephen Gibson. First Prize: $100.00; Second, Third, Fourth, Fifth Prizes: 4 awards of $25.00 each; Five Honorable Mentions. Entries that win cash prizes will be published in the May issue of South Florida PoetryJournal, while all top 10 poems will be published online and announced in press releases.
The works in Art Couture: The Intersection of Fashion and Art focus on contemporary art that is fashion-inspired, as well as on fashion designers and their couture designs and illustrations. The curators want to show fashion as art alongside important works of contemporary art. Couture designs will be displayed on mannequins in two separate galleries. The show consists of six galleries with three designers and three galleries of artwork, as well as an atrium space also holding contemporary art. Museum visitors will enjoy contemplating the connections between art and fashion, The eight works we selected from the exhibition should offer poets plenty of inspiration for their ekphrastic poems.
Poems should take inspiration from one of the designated images from the Art Couture exhibition shown below.* The works themselves are on display at the Cornell Museum at Old School Square for several months, and we encourage you to visit the museum to see the exhibition in person. (Click on each image to see a larger high-res version.)Poets may submit using Submittable.
Ekphrastic Poems come from the poetic tradition of taking inspiration from objects and works of art known as “ekphrasis” from the Greek. These may include literal descriptions of a work of art, the poet´s mood in response to a work of art, metaphorical associations inspired by a work of art, or personal memories about a work of art.
The Contest Judge is Stephen Gibson, author of seven poetry collections, most recently, Self-Portrait in a Door-Length Mirror, winner of the 2017 Miller Williams Prize (Univ. of Arkansas Press), selected by Billy Collins. His poetry and fiction have appeared in such journals as American Arts Quarterly, Gargoyle, The Georgia Review, The Gettysburg Review, North American Review, The Paris Review, Pleiades, Poetry, River Styx, The Sewanee Review, Shenandoah, The Southern Review, and The Yale Review among others. He taught for thirty-two years at the Belle Glade campus of Palm Beach State College.
Poems must be no longer than 30 lines and inspired by one of the designated works that are part of the Art Couture exhibit.
Contest Opens: December 2, 2019
Deadline: February 28, 2020
What to Do: Visit the Art Couture exhibit at the Cornell Art Museum at Old School Square, 51 N. Swinton Ave. Delray Beach, Florida to be inspired in person, or choose one of the images on this page to inspire your 30 line poem!
Length Limit: Up to 30 lines
Submit to: Submittable: Palm Beach Poetry Festival Art Couture Ekphrastic Contest
Entry Fee: No fee. Submit one poem only, please.
Prizes:
First Prize: $100
Second, Third, Fourth and Fifth Prizes: 4 awards of $25 each
5 Honorable Mentions
Results Announced: April 2020
The Cornell Art Museum Art Couture exhibit is open to the public, Tuesday – Saturday, 10am – 5pm, Sunday, 1pm – 5pm.
$8 (general); $5 (seniors 65+ and students with ID); free for children under 12, Old School Square members and Veterans; free for Florida residents on Sundays.
*This competition would not be possible without the collaboration of Old School Square and The Cornell Art Museum. Images courtesy of the Cornell Art Museum at Old School Square.
There’s a long tradition of poets (and prose writers too) borrowing forms from other disciplines as containers for their content. In the late 1990s, Brenda Miller and Suzanne Paola coined the term “hermit crab writing,” assigning a memorable metaphor to adopted-forms literature. Just as the hermit crab survives by occupying abandoned shells it finds on the beach, writers can rely on extant “shells” like dictionary entries, instruction manuals, rejection letters, tarot card readings, and many more to carry their content to a wider readership. This workshop will explore the possibilities of hermit crab writing with compelling examples and opportunities to write in response.
Julie Marie Wadeteaches in the creative writing program at Florida International University in Miami. She has published 10 collections of poetry and prose, most recently Same-Sexy Marriage: A Novella in Poems and The Unrhymables: Collaborations in Prose, co-authored with Denise Duhamel. A recipient of the Lambda Literary Award for Lesbian Memoir and grants from the Kentucky Arts Council and Barbara Deming Memorial Fund, Wade reviews regularly for Lambda Literary Review and The Rumpus.
Stacie M. Kiner will facilitate her workshop: With Nothing to Regret, Nothing to Wish Reversed, as Walt Whitman beseeched, it is time to pay homage to lights that still shine—from John Donne to Elizabeth Bishop, James Wright to Anne Sexton, the 17th Century through the 20th; let’s leave Auden’s The Age of Anxiety at the door—and sing the body electric.
In this workshop, participants will practice introductory group improvisational acting exercises and play fun games to increase creativity, boost self-confidence for public speaking, reading, and performance. No previous acting experience necessary. Guaranteed fun with a lot of laughs.
+ Facilitator Anthony Francis is CEO and Director of Improv U. Inc. and The Annual Improv Festival (held September 5-8 at Old School Square.
This workshop will focus on reading examples of poetry that convey a strong sense of wonder about the world. Through generative writing exercises, participants will use a tool box of poetic devices: images, syntax, tone, rhyming, repetition, form, etc. to find their own wondrous moments in their poems. This workshop aims to explore how we use poetry as a vehicle of meaning and self-discovery.
Guillermo Cancio-Bello is a poet and psychotherapist living in Miami. He has an MS in Counseling from Barry University, and is a director of The November Institute.
The public is invited to participate in what could be the largest poetry reading in history. The Palm Beach Poetry Festival is hosting this annual open-mic event in partnership with 100 Thousand Poets for Change. This global happening will be taking place at the same time in over 1,000 venues in 120 countries. Poets will read and perform work to promote social, political, environmental sustainability, and change, simultaneously across the planet. Attendees are welcome to read their own work or favorite poems by other poets. Between poetry readings, special guest musicians will play songs for peace. Attendees are welcome to play or sing along. As in previous years, the event will be facilitated and photographed by Dr. Allen, and archived by Stanford University. Must be 21 years old to attend.
A Festival Favorite! All faculty poets share and discuss beloved poems that have been influential in their lives and in their writing. Moderated by Jen Karetnick and followed by Q&A.
The Palm Beach Poetry Festival invites all Palm Beach County High School Students to send in one original poem.
The winner will receive $200 and a pair of tickets to the Friday night Reading Event featuring 2018 NAACP Image Award Winner and Kingsley Tufts Poetry Award recipient, Patricia Smith
The four runners up will each receive $100 and a pair of tickets to Friday night Reading Event
All winners receive a one-year subscription to Poets and Writers Literary Journal
All of the prize-winning poems will be posted on the festival website: palmbeachpoetryfestival.org and will be included in press releases
Prize winners will be invited to participate in exclusive photo-ops with the featured poets, for local press releases
ELIGIBILITY: Palm Beach County public and private High School students, Grades 9-12 RULES:
Poems may be submitted October 15th through December 1, 2019, as follows:
Submit one poem, 30 lines maximum, single-spaced, 12-point type.
Your name, address, phone number, email address, name of high school, teacher’s name, and grade levelmust appear in the upper, right-hand corner of the page.
DEADLINE: Your poem must be emailed by midnight, December 1, 2019.
Send by email to PBPF1@aol.com (copy & paste poem into the body of email*); OR mail your submission to Dr. Allen, 1134 SW 44th Ave., Deerfield Beach, FL 33442.
*Attachments will not be opened and will be automatically disqualified.
All contest participants agree to be subjects of press releases and media stories about the contest and the festival.
In order to collect the prize, the winner must be present at the awards ceremony.
Your submission is an agreement that you will attend the Festival Awards Ceremony to read your winning poem on
Monday, January 20, 2020 at 5:00 p.m.
Submissions that do not adhere to these rules will be refused. Keep a copy of your poem, as the original will not be returned. Winners and runners up will be notified by January 1st, 2020.
DISTINGUISHED JUDGE:
Dr. Jeff Morgan, English Professor, College of Arts and Sciences, Lynn University, Boca Raton, Florida
Reading with Laure-Anne Bosselaar, Major Jackson, and David Kirby, followed by book signing in the Festival Book Store, Ocean Breeze Room in the Crest Theatre Building.
An evening of poetry with 2018 Kingsley Tufts Poetry Award Winner Patricia Smith, our 2020 Poet-at-Large, followed by book signing in the Festival Book Store, Ocean Breeze Room in the Crest Theatre Building.
Readings by Ilya Kaminsky, Dana Levin, and Reginald Gibbons, followed by book signing in the Festival Book Store, Ocean Breeze Room in the Crest Theatre Building.
Evening reading with Special Guest, Joy Harjo, United States Poet Laureate, followed by book signing in the Festival Book Store, Ocean Breeze Room in the Crest Theatre Building.
Readings with Nickole Brown, Jessica Jacobs, Adrian Matejka, and Maggie Smith, followed by book signing in the Festival Book Store, Ocean Breeze Room in the Crest Theatre Building.
This event is being held in conjunction with Icons in Transformation, a traveling modern art exhibition featuring more than 100 contemporary works by Russian-Swedish abstract expressionist Ludmila Powlowska. The exhibit recalls the icons the artist had seen in Russian monasteries and is running at St. Paul’s Episcopal Church through April 7. Facilitator Stephen Gibson’s poetry workshop will be on Ekphrasis poetry, poems which focus on other works of art, like paintings, photography, or sculpture, as their subjects. Workshop participants will explore how Ekphrasis, rather than being solely description, can help to explore each individual poet’s sense of the world. $10 per person
Participants will navigate a scope of contemporary forms and practices with time dedicated to each: reading, class discussion, and freewriting. Students will be exposed to an eclectic range of work and asked to investigate what the mechanics of poems, the little engines of poems, are made of? The workshop will explore how images are constructed to create the world of the poem, how images build narratives, how words create worlds for the reader to reside within and create sensory experiences of the poem. How might a poem manipulate the reader’s mood, body sensations? Students will practice ways to create tension with focus on concrete details, and how grammar, syntax, line breaks, control the speed and velocity of poems. The third and final section of the workshop will notice how poets use patterns to generate insights, the poem’s heart-meat. This is an intense, crash-course, generative workshop. Facilitator Chloe Firetto-Toomey is an English-American MFA candidate in nonfiction at Florida International University, where she served as a teaching assistant and poetry editor for Gulf Stream Magazine. $10 per person
In this class, participants will look at how diverse poets have used references to other works, concepts and contexts from the world, imagery, sound and various tools of craft to deploy meanings that the reader will recognize and used these to create a context that allows the reader to gain a deeper understanding and a new perspective. Students will directly apply these ideas through a variety of exercises exploring the ways they can bring such specific dimensions of the world into their poems while exploring ways of using these tools to communicate concepts and experiences more deeply to readers. Facilitator William May is a graduate of Sarah Lawrence College, and the MFA program in Creative Writing at UNC-Greensboro, as well as studying poetry and writing internationally. He has studied with poets including Thomas Lux, Billy Collins, Stanley Plumly, Victoria Redel, and Vijay Seshadri. $10 per person
Presented in collaboration with the Morikami Museum and Gardens, award-winning California poet Brynn Saito will discuss the zuihitsu, a form of prose-poetry writing that emerged during Japan’s 11th century. Closely translated as “following the brush,” zuihitsu collects observations, notes, personal feelings, and quotes in a seemingly random and associative manner, leading to surprising, poignant poetic expressions. Saito will discuss how this form—and how Japanese culture, more generally—informs her work. She will close with a short poetry reading, book signing, and Q&A.
Morikami Entrance Fee: $10 ($7 for members)
Note: All tickets are will-call and will be held at the theatre door for pick-up starting at noon.
Cynthia Nixon delivers a brilliant characterization of the great American poet Emily Dickinson, who would not be recognized until after her death. Director Terence Davies poignantly evokes the cultural contexts of the period with which Dickinson struggled before finding transcendence in poetry. The film will be presented by Bonnie Bonincontri, Assistant Professor at Lynn University and editor of Quest, the university’s arts journal. Free
What kind of walls do we build around our poems? Are these walls helpful, or do they hinder the possibilities of a poem? In this workshop, participants will discuss how useful it can be to expand a “finished” poem and how “knocking down walls” can help writers expand their craft skills, as well as how formal constraints and other “walls” can actually help creativity flourish during the writing process.
Freesia McKee is author of the chapbook How Distant the City, and her work has appeared in Cream City Review, The Feminist Wire, Painted Bride Quarterly, and Gertrude among others, and she is the winner of the 2018 Patricia Goedicke Prize in Poetry.
Five cash prizes and five honorable mentions will be selected by contest judge, Stephen Gibson. First Prize: $100.00; Second, Third, Fourth, Fifth Prizes: 4 awards of $25.00 each; Five Honorable Mentions. Entries that win cash prizes and honorable mention will be published online and announced in press releases.
The works in the Tech Effect explore the complex influences of technology on the human experience and the natural world. The show features artists whose work deals with technology in some way. Museum visitors will be fascinated by augmented reality works, interactive touch screen works, the prevalence of social media in contemporary art, artwork that utilizes code, and countless ways that technology is integrated into contemporary art. The selections in our contest offer poets the opportunity to take inspiration from eight works selected from the exhibition.
Poems should take inspiration from one of the designated images from the TECH EFFECT exhibition shown below.* The works themselves are on display at the Cornell Museum at Old School Square until February 17, 2019. We encourage you to visit the museum to see the exhibition in person. Many of the works allow for a hands on experience and visitors will be able to touch and interact with the artwork. (Click on each image to see a larger high-res version.)Poets may submit using Submittable.
Ekphrastic Poems come from the poetic tradition of taking inspiration from objects and works of art known as “ekphrasis” from the Greek. These may include literal descriptions of a work of art, the poet´s mood in response to a work of art, metaphorical associations inspired by a work of art, or personal memories about a work of art.
The Contest Judge is Stephen Gibson, author of seven poetry collections, most recently, Self-Portrait in a Door-Length Mirror, winner of the 2017 Miller Williams Prize (Univ. of Arkansas Press), selected by Billy Collins. His poetry and fiction have appeared in such journals as American Arts Quarterly, Gargoyle, The Georgia Review, The Gettysburg Review, North American Review, The Paris Review,Pleiades, Poetry, River Styx, The Sewanee Review, Shenandoah, The Southern Review, and The Yale Review among others. He taught for thirty-two years at the Belle Glade campus of Palm Beach State College.
$8 (general); $5 (seniors 65+ and students with ID); free for children under 12, Old School Square members and Veterans; free for Florida residents on Sundays.
*This competition would not be possible without the collaboration of Old School Square and The Cornell Art Museum. Images courtesy of the Cornell Art Museum at Old School Square.
In this workshop, participants will learn about haiku building and the Japanese literary form of zuihitsu. Often translated as “miscellaneous essay,” zuihitsu often consists of loosely connected pieces of prose and fragmented ideas of varied lengths that typically respond to the author’s surroundings. Join poet Yaddyra in this hands-on workshop and learn to write your own original haiku and zuihitsu using Morikami’s own Japanese garden as your inspiration.
Yaddyra Peralta’s work has appeared in Miami Rail, Ploughshares, Tigertail, Abe’s Penny, Hinchas de Poesia, Eight Miami Poets (Jai Alai Books) and The Miami Herald. She has taught writing at Miami Dade College, Homestead Correctional Institution, and for O,Miami’s Sunroom project. Yaddyra is Associate Editor at Mango Publishing.
Participants will learn the basics of the Japanese literary form of haiku and haibun, which is a combination of prose and haiku. Participants will look at a brief history of the haibun and examine various examples, with a focus on the work of haiku master Kobyahsi Issa. Workshop participants will learn about the history of the forms, examine various examples, past and present, and then head to Morikami’s beautiful gardens to generate their own haiku and haibun. Participants need to bring a pen and writing pad, snippets of prose, dreams, found poems, journal entries, observations, memories, or a few lines from their own poems to incorporate in their very own haibun.
Yaddyra Peralta’s work has appeared in Miami Rail, Ploughshares, Tigertail, Abe’s Penny, Hinchas de Poesia, Eight Miami Poets (Jai Alai Books) and The Miami Herald. She has taught writing at Miami Dade College, Homestead Correctional Institution, and for O,Miami’s Sunroom project. Yaddyra is Associate Editor at Mango Publishing.
Spread the joy of poetry and music at this special holiday event, where attendees will share their favorite holiday poems and songs of the season. All ages welcome.
Cara Nusinov will show PoJo Collage participants how to combine collage, poetry, and journaling to create mixed media art. Participants will design their own collage cover art, generate writing in their personal journals/notebooks, and draft poems inspired by their own words. Participants should bring the following supplies: a notebook/journal for writing, a favorite photograph of themselves (at any age), 8-10 small magazine images, scissors, glue (Elmer’s or a stick), and any other desired materials to incorporate into their collages.
Certified in art journaling, Cara Nusinov facilitates workshops of self-discovery and expressive thought to help her participants to connect, heal, empower, and laugh. A Poetry Therapy Practitioner with the International Academy For Poetry Therapy, Nusinov is a collage artist, poet, teacher, leisure photographer, and Laughter Yoga leader.
Note: This workshop is limited to the first 25 people who RSVP at drblaiseallen@aol.com. Accepted participants will receive confirmation of attendance.
Love has been the motivation for writing poems from the earliest known poets to poets writing today. There probably isn’t a poet who hasn’t written a love poem. Through close analysis workshop participants will examine the use of poetic techniques in selected poems and try their hand at writing a love poem.
Bio: Sarah Brown Weitzman, a past National Endowment for the Arts Fellow in Poetry and Pushcart Prize nominee, is published in hundreds of journals and anthologies including The New Ohio Review, The North American Review, The Bellingham Review, Rattle, Mid-American Review, Poet Lore, Slant, and Miramar. She was twice a finalist in The Academy of American Poets’ Walt Whitman First Book Award contest. Her chapbook, The Forbidden, was published by Pudding House Press.
May 22, 2022 – Palm Beach — It is with deep sadness that we report that Festival Founder & President, Miles Coon, passed away peacefully on Saturday, May 21, 2022 in Palm Beach. He leaves ... Read more >
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The Palm Beach Poetry Festival is presented in partnership with Old School Square and is generously sponsored by Art Works of the National Endowment for the Arts, Morgan Stanley, The Legacy Group of Atlanta, GA, ... Read more >
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The Palm Beach Poetry Festival is pleased to announce the 2022 fellowships and scholarships for the 18th Annual Palm Beach Poetry Festival. Fellowships included the Langston Hughes Fellowships for African-American Poets; Kundiman Fellowships for Asian-American ... Read more >
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